Now that Mike Knox is gone do you think there will be any others today?
Mike could have been turned into a monster but they chose to make him into a big goofball.
Now that Mike Knox is gone do you think there will be any others today?
Rumors : Hip-Hop Rumors: Soulja Boy Denies Snorting! Jay-Z Rumors …
@ green dozen@ board
Yo i dont know but kayne and jay in the bag.Peep ye verse and pay attention.
[Jay-Z]Is this thing on?oh, I thought they silenced us, YePower to the peopleWe livin’ in that 31st century, futuristic fly shitThe penthouse is the projects and everybody flies privateNew watch, know what time it is, watch us (You see us)They can’t stop us, prophets, beyotches[Kanye West]No one man should have all that power (Yeah)The clock’s tickin’, I just count the hours (Yeah)Stop trippin’, I’m trippin’ off the power(No one man should have all that power)[Jay-Z]Rumble, young man, rumbleLife is a trip, so sometimes, we gon’ stumbleYou gotta go through pain in order to become youBut once the world numbs you, you’ll feel like it’s only one youNow you got the power to do anything you want toUntil you ask yourself, “Is this what it’s all come to?”Lookin’ at life through sunglasses and a sunroofBut do you have the power to get out from up under youF-ck Rollies, labels, f-ck what everybody wants from youThey tryna Axl Rose you, welcome to the jungleTo be continued, we on that Norman Mailer shitIn search of the truth, even if it goes through Taylor SwiftTell her thisNo one man should have all that power(Power-power-power-power-power)And then theyAnd then theyAnd then theyAnd then they-Advertisements-
[Kanye West]Now when I walk in, everybody do the “Power” clapClap, clap, clapFresh for the club, I just took a half an hour napClap, clap, clapI seen people go crazy on the whole world, an hour lapClap, clap, clapMy socket was out the plug, now it’s time to get the power backClap, clapI seen people abuse power, use power, misuse and then lose powerPower to the people at last, it’s a new hourNow we all ain’t gon’ be American IdolsBut you can least grab a camera, shoot a viralHuh? take the power in your own handsI’m a grown man, doin’ my grown danceI don’t stop until I see the end, my vision clear, b***hI’m on my Van Gogh, I don’t hear shit[Chorus]No one man should have all that powerThe clock’s tickin’, I just count the hoursStop trippin’, I’m trippin’ off the power‘Til then, f-ck that, the world’s oursAnd then they sayAnd then they sayAnd then they sayAnd then they sayAnd then they sayAnd then they sayNow everything I’m rhymin’ on cause a RamadanBeen a don, prayin’ for the families lost in the stormBring our troops back from Iraq, keep our troops out of IranSo the next couple bars, I’ma drop them in IslamThey say assalamu alaikum, say wa alaikum asalaamThat’s no Oscar Mayer bacon, you should run and tell your momsNow the question is, how we gon’ stop the next Vietnam?keep Flex out of Korea, ’cause you know he drop bombs[Swizz Beatz]Showtime!Hey, yo, Yeezy, stop playin’ with these people, manThey want see you act all crazy in this muf-cka, manTake that jacket off and go crazy on them n***as, manYou know what I’m talkin’ ’bout?[Kanye West]What do it mean to be the boss?it mean second place is the first one who lostThe crucifixion, the being nailed to the crossTruth or fiction, it’s a hell of a cost, do the dishesI’m ’bout to hit that Jeff GordonMichael Jordan, the only one more importantBut I be feelin’ like Jordan when I’m recordin’‘Cause every time I record, I duck to slap the boardsI don’t know what these rappers gon’ do after warsProlly spaz like I might do at the awardsHuh, I got the whole crowd goin’ crazyHomie, I should be rewardedGettin’ money, Yeezy, Yeezy, how you do it, huh?Eatin’ Wheaties, drinkin’ Fiji, bein’ greedy, huh?Don’t even think you can allude to the rumorsI’m immune to the booze, I’m a prude to you losersIt’s all in time, my n***aSee, I dreamed my whole life that I could rhyme with JiggaNow Jay my big brother and Bey my lil sisterAnd excuse me, but, you can’t see my lil sisterNumber one sound across the board, heyNumber one now and forevermore, heyNumber one rule is n-ggas don’t hateMaybe I’ll drop the album, nah, all y’all gotta waitAnd on the ‘Net they showin’ pictures of my Cali placeMy Maybach in NY, but it still got the Cali platesAll my old girls know that I’m the one that got awayI think about at Christmas, and play some Donny HathawayAnd keep my bulletproof hater coat onLookin’ at some photos that I’m lookin’ crazy dope onHand up, talkin’ sh-t, yeah, I get my Pope onAnd go home wit something to poke onThat’s what Dre said, but this what ‘Ye saidHow ‘Ye doin’? Who ‘Ye screwin’?That’s for my d**k to know, before you get to know emShe ain’t give you ass? That p***y fictionalI gotta give her the eviction note‘Tis “Get yo’ ass out, b***h, vamonos”Five seconds to the song, and we gettin’ closeI got the power, muf-cka, if you didn’t know[Swizz]Chill, chill, chill, chill, manChill, ‘Ye, chillSh-t’s burnt up alreadyIt’s over
Rumors : Hip-Hop Rumors: Soulja Boy Denies Snorting! Jay-Z Rumors …
David Schulhof – for Music Licenser, the Song Remains the Game
by MICHAEL KANE
WHAT does a rap song like Tupac Shakur and Dr. Dre’s “California Love” have in common with the new kids’ movie “Marmaduke”?
Not a lot. yet the song’s in the movie trailer, due to the handiwork of David Schulhof, co-founder and co-CEO of Evergreen Copyrights. Schulhof, 39, is in the business of acquiring the publishing rights to music catalogs and then finding new outlets for the songs.
since its launch in 2005, Evergreen has bought up an impressive stable of publishing rights, including the works of Roy Orbison, MC Hammer, the Ramones, Warren Zevon and Snoop Dogg.
sure, he gets nearly a dime every time one of those songs is downloaded from iTunes.
But Schulhof’s passion is proactively marketing his songs – reaching out to movies, TV, ad firms and musicians who might record cover versions.
want to cover “Pretty Woman”? You’ve got to pay Schulhof. Remember Kid Rock’s “All Summer Long,” which sampled Zevon’s “Werewolves of London”? He got a piece of that, too.
Growing up in new York City, Schulhof hit clubs like CBGB and the Bottom Line.
after attending Georgetown and then NYU Law School, the music lover learned his trade at Miramax, handling songwriter and composer contracts and producing more than 100 soundtracks.
@Work talked with the ever-enthusiastic Schulhof – now married with a daughter and living on the Upper East side – about finding ways to deliver cool music to the masses.
This is a bit rudimentary, but why would an artist sell to you?
one, liquidity. They get money. No. 2, they want somebody to promote their catalog. They want a partner to push the songs, find other artists to record them, find spots for them in film and TV and come up with new uses. otherwise, they sit there and die.
So you’re not just sitting back collecting royalties?
at least half my job is to find new revenue streams. I talk to agents, musicians, film producers, movie producers to include the songs in their future projects. I can create royalties from video games, advertising, Broadway shows, even when a song is performed on “American Idol.”
can you give a sense of what these songs rake in?
every time a song is downloaded off iTunes, that’s a one-time fee of 9.1 cents per song or up to a dollar on an entire album. National TV ads, we’re talking well into the six figures. for movie uses, it’s generally $30,000 to $80,000 depending on what it is. A movie trailer, that’s another, like, $50,000.
What’s the best way to make money from songs?
Tribute albums are great. we have one in the works right now for Nick Drake’s songs. But the real jackpot is a biopic. Think of the movie “Ray,” and how it boosted the catalog of Ray Charles.
we bought the right to Tupac’s catalog four years ago, so any biopic on his life will be huge for us. we also own the rights to the music of Bill Monroe, the father of bluegrass. When I bought it, I knew his life was a great story, and I’ve been pushing the idea of a biopic ever since. And now Maggie Gyllenhaal and Peter Sarsgaard are lined up to star in one.
What’s the most imaginative movie placement you’ve personally conceived?
I put a Third Eye Blind song called “Jumper” in the movie “Yes Man.” It’s Jim Carrey on the ledge, playing the guitar and singing “Wish you would step out from the ledge, my friend.” It’s perfect.
Do you make money on background music?
Absolutely. Elevators, malls, anywhere the music is played publicly.
You own a large amount of rap music. is that a cash cow, since rap is constantly sampling from itself?
Absolutely. we get stuff sampled all the time. They have to come to us for a derivative-use license. We’ll listen to the song and determine what percentage is derivative of our song. Then we’ll come up with an agreement – or sue if necessary.
What’s the most unusual rip-off you’ve experienced?
Somebody sent me a Thanksgiving card with MC Hammer dressed as a turkey with the song lyric “Can’t touch this” changed to “Can’t stuff this.” They tried to go in the back door through the parody and fair use defense, but we sued American greetings and won.
Why would you turn down usage of a song?
If it’s obscene, distasteful, overused. we turn down tons of requests. I’ll ask for the script pages or to see clips of the movie. We’re caretakers. We’re not just schlocking this stuff out. That’s why clients come to us, because they trust our judgment.
What’s your favorite part of the job?
I love waking up every day and hearing a song on the radio and thinking to How can I buy that song work with that artist?
Any advice for someone aspiring to get into music business?
It’s all about the song. There are lots of great artists out there, of course, but great songs are famous because they’re great songs. Nancy Sinatra didn’t want her song to be used in the “of Hazzard” movie years ago. Well, too bad. not her song. she didn’t it. Owning the song is best business to be in.
Originally published by MICHAEL KANE.
(c) 2010 The new York Post. Provided by ProQuest LLC. All rights Reserved.
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<a href="http://www.californiachronicle.com/articles/yb/149241598tag:news.google.com,2005:cluster=http://www.californiachronicle.com/articles/yb/149241598Mon, 30 Aug 2010 22:56:34 GMT 00:00″>David Schulhof – for Music Licenser, the Song Remains the Game
Hip Hop Press: FUZE iT tour brings Fashion, Art, & Music to the …
Event proceeds will benefit the Ronald McDonald House Charities.
Hair and makeup provided by Prestijio Beauty Studio.
Wardrobe provided by Sugar & Rox and Heretic City.
Accessories provided by T*Racy.
BOSTON, August 16 — On Saturday August 21st the FUZE iT Fashion show Tour will launch in Boston, Massachusetts. Powerhouse production team CHiA MEDiA and Production Runway are responsible for the event, infusing live art, music, and fashion installations. the Underbar will house the event at 275 Tremont St Boston, MA 02116. the tour’s proceeds will go directly toward the Ronald McDonald House Charities. Local celebrity, DJ Hevan will be on the turntables for the duration of the event. Food provided by Casa Blanca Mexican Resteraunt. Local surf rock band Tsunami of Sound will open the event alongside, live art provided by local talent Sylvain Malfroy-Camine.
The Fashion installations will begin at 6 PM
Doors Open at 4 PM
Media Check In at 5:30 PM
Red Carpet 5:45
Invited guests include James Levine, the Dirtyheads, and Rome of Sublime.
Followed by Boston, the FUZE iT Tour will show in Cincinnati, San Diego, and Miami.
Contact
Event Publicist/Producer
Ashley Covarrubias
productionrunway@gmail.com
562.242.5822
Jonathan Chia
chiaphotography@gmail.com
513.886.7699
The Blog // Photography // Fashion show Production
(Via Hip Hop Press)
Hip Hop Press: FUZE iT tour brings Fashion, Art, & Music to the …
II| Philly Philly Music Spot |II: Meek Mill – Flamers 2
1.T.I., DJ Difference, Omelly & Meek Mill Intro
2.Shine’n
3.Im So Fly
4.Aint I Ft. Nitty
5.Hottest in Tha City
6.Speed Of Light Ft. B.o.B
7.Flamers (Freestyle)
8.Prolli Ft. Oschino
9.Money Galore Ft. K.Smith
10.Goons Gone Wild Ft. Ar-Ab
11.We Getting Money Ft. Bump J & Gillie Da Kid
12.Gettin it in Ft. Peedi Crakk
13.Posted Up
14.So Many Girls
15.Trappin All Day Ft. Gillie Da Kid
16.Way Back
17.36-24-36 bad Body Ft. K.Smith & 5PM
18.Gettin To the Money Ft. Omelly & Oschino
19.the Future
20.do My Thang Ft. Oschino
21.Brush Em Off Ft. Oschino
22.Big Freestyle
23.Im back Ft. Oschino
24.in My Bag (Autotune Rmx)
25.Bonus Track – Can’t Let you go by 5PM Ft. Meek Mill
26.Jamie Fox Outro
megaupload.com/?d=Q8HEBUTA
how do you guys discover underground rap music?
it hard to discover because there is no way to find it in mtv and it’s hard to find it on youtube. tell me some of your ways to find underground rap music.
Rap-Up.com || Video: Ciara Performs at Power Live
Ciara spent her Sunday trippin’ off the Power. The sexy singer performed last night at Power 105.1’s “Power Live” concert at Governors Island, featuring an all-star line-up including Diddy-Dirty Money, Keri Hilson, Kelly Rowland, Rick Ross, J. Cole and more.
Backed by two dancers, CiCi donned a jewel-encrusted Atlanta Braves hat and face-shrouding sunglasses as she performed her version of “Pretty Girl Swag,” while she removed the items and gave it her all on the smoking “Gimmie Dat.” The singer closed the performance with a sassy rendition of her hit “Ride,” which saw her getting down and dirty on the floor. Ciara’s upcoming fourth album, Basic Instinct, is expected to hit stores later this year.
Video via RealTalkNY
Posted in Ciara, Live Performances | Permalink |
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Brandon Roy Apologizes for Appearance in Rap Video
Brandon Roy made a brief appearance in a rap music video, but felt the need to apologize once the video hit the internet and there were some things in it that he decided he didn’t necessarily want to be associated with.
The video can be viewed on YouTube here, and by most standards — in terms of people issuing apologies, at least — this one is relatively tame. It’s a positive that Roy is sensitive to how he (and to a larger extent, the league) is portrayed in these situations, but honestly, this is pretty benign in the world of athletes appearing in music videos.
Video of Roy’s explanation of how it went down can be seen below.
And if for some reason Roy’s explanation didn’t do it for you, here’s what the director of the video himself had to say about it:
“The basic concept of Cali and Cavalli’s ‘What they Want’ is a rags to riches tale of upward mobility — a standard format that many have seen utilized in recent music videos. it depicts two small-time hustlers ascension from the inner city, where the perils of drug use and fast money are more than evident, to the metaphorical use of basketball and Cali and Cavalli’s association with two of Seattle and the NBA’s biggest success stories as their own personal barometer of achievement.
To officially clear the air Brandon Roy and Jamal Crawford weren’t involved in anyway shape or form with the production, concept, or content of the video and neither were present for anymore than a few minutes of the filming and for the most part were bystanders.”
Chamilloniare and Soulja Boy CD’s HELP??
That song by Soulja boy, Crank dat; and the song by Chamillionaire, Hip Hop Police are cut when on the radio..but i have heard both verisons from the internet and both are not cut they cuss…..but when previewing both Cds on itunes they both don’t say..Edited or Explicit content, also at stores they don’t either!! Could it just not say edited or explicit because they dont cuss enough? I previewed songs on the cd but itunes always cuts off right when i know there is a cuss word for hip hop police! but for Crank Dat it does infact not cuss(on itunes) but im so confussed if the CD is cut or not?!!? Does any one have these CD’s? or do you know if there cut or not because I do not want to buy cut CD’s!!!
Why do People in New Orleans listen to Soulja Boy?
I was in New Orleans for Mardi Gras from last friday till present and people here bump to Soulja boy’s tracks in their car.
Also, i notice New Orleans and part of Louisanna ride rims high.
I’m from New York by the way